Read by Dawn (Volume 3), edited by Adèle Hartley, reviewed by Debbie

Read by Dawn: Volume 3 by Adèle Hartley

My review

rating: 3 of 5 stars

"Read by Dawn" arrived in pristine condition, but will be leaving here in a less-than-perfect state (there was one of those ominous cracks when I bent the spine a little too far back). But if the book's been changed by being read, so have I by reading it.

It's easy to dismiss Horror as the poor relation of the speculative fiction family. Too often it relies on bad things happening for no discernible reason (credibility issues) or on as much blood and gore as can be squeezed into the pages (yawn factor). Reading this anthology of twenty-eight stories indicates there is light at the end of Horror's dark, creepy tunnel. And it's not just the headlight of any old oncoming train.

If the anthology has a theme--and I'm not sure it does--that theme is obsession. Two stories depict men so obsessed with a particular woman that they see and pursue her everywhere, and in a third story another lover finds a unique way of keeping the love-object close--forever. But there's lots of variety here, from a female serial killer to friendship that persists beyond both death and betrayal to a gruesome Halloween.

As with any anthology, there are hits and misses. Scott Stainton Miller's "The Last Ditch" manages a very creepy ending, but achieving it relies not so much on misdirecting the reader as on misleading them. True misdirection enables the reader to look back and go, "Oh, of course!" when they see the clues that were there all along. Miller doesn't enable that; instead, the reader feels cheated, as if a Very Large Elephant in the living room had been overlooked. A shame, as the premise is chilling, and the misdirection in the dialogue nicely done.

"In the Cinema Tree with Orbiting Heads" by Kek-W starts brilliantly. The narrator describes their experience of living in a tree. It's hardly big enough for them even to enter, but they manage. "Although the hollow was narrow and restrictive, there was also something womb-like and sensual about being confined within the tree, as if I was wearing the skin of some vast, alien creature." The tree contains a natural camera obscura through which the narrator observes his surrounding. The mood is nicely created and there's a true strangeness about this tale.

Rebecca Lloyd's "Shuck" introduces us to twin sisters Liz and Erica. Liz lives in the middle of nowhere, haunted by a strange, dog-like creature called Fin. When Erica dismisses the 'dog' as one of Liz's obsessions, Liz replies, "Possession, more like, I'm bound to him." A strangely apathetic struggle for Liz's safety ensues. A gloomy, not-quite-hopeless story.

Two stand-outs in this anthology are "Dawn" by Morag Edward and Jamie Killen's "Blind Spot". In "Dawn", the narrator is pursued by night-time visitations from a 'dark shadow' that creeps nearer and nearer, beginning at her feet and moving towards her head, leaving her mysteriously bruised. Only love can keep the shadow at bay--but love is fleeting, whereas shadows, it seems, are for life. "Blind Spot" evokes the misery of a ghost trapped on a particular section of street, unnoticed by the living. Her one friend has moved on, and it seems there's no hope of a new companion--or is there?

It's hard to imagine anyone with a love of Horror not finding a story (or two or three) in here that will appeal. A solid anthology with much to offer.

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Ocean Sea by Alessandro Baricco, reviewed by Debbie

Ocean Sea by Alessandro Baricco

My review

rating: 3 of 5 stars

Normally I would start a review with a summary of the plot, but having only read "Ocean Sea" once, I don't feel competent to summarise it. Suffice it to say that some characters get together at a hotel by the sea, and there's a chap painting the sea with sea-water, a woman who's going to die unless the sea can cure her, another woman who's trying to choose between her husband and her lover, and a lot of strange children. Plus a professor who's writing love letters to a woman he hasn't met yet. And some other characters.

"Ocean Sea" is written in a lyrical, elliptical prose style that will enchant some readers and infuriate others. There's a lot of rhapsodizing. There's cuts between different stories that are connected but don't immediately appear to have anything to do with each other. There's a lot of work for the reader to do, and it's for the individual reader to decide if that work was worth it in the end.

One aspect that did puzzle me arises from what I thought easily the best-written part of the book--the narrative by Savigny of the events on a drifting raft crammed with survivors of a shipwreck. Although it is perhaps overlong, it's written in an urgent and engaging fashion that brings the horror of his situation to life. However, the raft and the shipwreck so obviously derive from the wreck of the Medusa that it's a puzzle why Baricco names the ship Alliance instead. Perhaps it's an attempt at irony, as anything less like an alliance on that horrendous raft is hard to imagine. But given the characters have the same names as those on the Medusa's raft, the effect on the reader is to have them thinking, "But this is the Medusa! I know it's the Medusa!". It's hard to believe this is the effect Baricco sought.

In contrast to the sombre events of the Medusa shipwreck, and the terrible revenge exacted by one of its survivors, we have the mordantly funny tale of Professor Bartleboom and his mahogany box of love letters. Having finally found the woman to whom he should deliver it, he encounters unexpected and often hilarious reverses, but in the end brings happiness to an entire village, and perhaps to himself.

This book is very much a pot-pourri, although perhaps all its parts do make sense once put together. I'd need to read it a second time to be sure.

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Stone Masters: A Vampire Reckoning by VMK Fewers, reviewed by Jess

Stone Masters: A Vampire Reckoning by V.M.K. Fewings

My review

rating: 1 of 5 stars


'Stone Masters: A Vampire Reckoning' by V.M.K. Fewers is a vampire novel told from two perspectives, in the form of diary entries. Both of the main characters, Orpheus and Jadeon, start us off with an entry from June 2006 as the set up to tell the story of how they became what they are, several hundred years earlier.

Jadeon’s family history is somewhat… interesting. He and his brother, Alex, accidentally witness their father and a group of men performing a ritual over a woman they at first believe to be a witch. The brothers see the woman carried through the family castle screaming, and calling out the name “Orpheus”. Thus begins Jadeon's journey to discover the truth about his father's involvement with the group–The Stone Masters-whose duty it is to kill vampires.

I appreciate that Laurell K. Hamilton and Anne Rice can only produce so many novels a year, and that in-between times vampire fans need a fix. So, this little niche opens up for the rest of vampire fic to have its turn. Unfortuately, Stone Masters is like a skeleton of an Anne Rice novel, without the real flesh, and more importantly blood, which vampires need. Anita Blake without any of the wit, and a poor copy-cat.

Not long ago I read Gabrielle Faust’s 'Eternal Vigilance'. After reading Stone Masters I can appreciate what Faust was doing - she tried to recreate a genre that is wearing rather thin on new material by injecting as much of her own originality as she could. And as it should be. Stone Masters just doesn’t have that jolt of excitement, or even just enough good old gore-fun to keep the reader interested. There is nothing new here, however hard you look, and hope.

The movement from one narrator to the next is confusing, the diaries boring. There was one stand-out moment, which was the description of a nasty witches' ceremony. I felt excited at this point, and for just a moment relieved, because I thought I was finally going to get the dark and scary tale that was hinted at in the story up until this point. No such luck. One good chapter was not enough to save Stone Masters. Poetic prose can be a wonderful thing, but not when it is the veil used simply to cover a weak plot.

I struggled with the book, right from the uninspiring cover art, to the less than satisfactory ending. I know it is not supposed to be taken as one of the literary greats, but there has to be something–it wasn’t even so bad that it was hilarious.

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Words From a Glass Bubble by Vanessa Gebbie, reviewed by Debbie

Words from a Glass Bubble by Vanessa Gebbie

My review

rating: 4 of 5 stars


"Words from a Glass Bubble" by Vanessa Gebbie is a collection of nineteen of her short stories, compiled in a handsome hardback from Salt Publishing. There's no overarching narrative, but although the stories are very different, some themes and images crop up more than once.

Gebbie's talent is to shine a light onto her characters, giving us brief insights into their lives, their hopes, their disappointments, and--most of all--their mistakes, before moving on, leaving us with the hope that the characters too will carry on, make better decisions, have better luck, once the spotlight is removed.

Each story has its own voice, from "Words in a Glass Bubble" itself, where a family tries to come to terms with the loss of their son, to "Smoking Down There", where a child naively recounts her friend's story of how she almost inadvertently saved her baby brother from being disposed of at birth. The fragmentary, butterfly narrative convinces as that of a child. 'But then, if you smoked down there why didn't the hairs catch fire? That's what I wanted to know. But the bucket. Why wash out of a bucket when there were perfectly nice china things?'

Gebbie doesn't shy away from the darker side of life. One story, "Irrigation", goes into great detail--too great detail for this reader--about an enema. In "Dodie's Gift", the central character is left lost and wondering, "...if someone takes something you were going to give them anyway, is that stealing?' Reading this story, it's hard to decide whether to give her a hug or a good shake. Either, you think, might damage her beyond repair.

This story contains an image that recurs--'But there, at the bottom of the hollow, a gull has had a meal, and the sand holds white bone, red bone, skin....' The predator devours, leaves what it doesn't want, and moves on. What's been devoured, abandoned, somehow has to move on, too. Its life now may not be what it envisaged, but it still holds significance.

None of the stories is too long, although it's easy to feel some are too short. The characters live on in our minds and we can't help wondering what will happen next. If they'll come out all right.

This collection is definitely one to savour. Read a story, put it down, think about it, come back--the whole can't be devoured in an afternoon.


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The Fireborn Chronicles by Mary Andrews, reviewed by kaolin

The Fireborn Chronicles by Mary Andrews

My review

rating: 2 of 5 stars

The Fireborn Chronicles is a psionic/space-faring epic. The focus of the chronicles is Rael--an adoptee/refugee from The Hive with implants that allow him to access any data terminal with a thought. He's groomed by his foster-mother for Dark Ops government work, given his own ship and told to assemble a team of his choosing.

The first several sections of the book are essentially short stories jumping from place to place as we're introduced to the team that he assembles. The plot picks up when the team is together-at-last and has to track down what happened to a high-ranking ambassador. In the end, the fate of the known universe hangs in the balance.

Mary Andrews sets a grand stage with many inventive ideas--but as a whole this novel does not tell the story it sets out to as well as I would have liked. It was an easy read, slipping into cliche only now and then, though each section repeated details as if I'd not been privy to them before, jerking me out of the narrative repeatedly. And while a very complex universe is hinted at, its rendering was sparse and, I felt, the hinting overreached its presentation:

PSI of a certain sort are universally recognized, but are only allowed to live in one section of one planet; aliens of all sorts exist somewhere (accomodations have been made for them on a pleasure planet; and we meet one non-humanoid in the form of a station master), but for brief mention they have nothing to do with this story that "will change the universe".

I know the story is not meant to be taken too seriously, but still I wanted things to hang together a bit more. We jump from character introduction to character introduction as a team is gathered (losing one along the way, not to be mentioned again until half-way through the book, and then only off-handedly explained), with large gaps in character development.

And while the plot kept me increasingly curious, what wrapped it up was, for me, ultimately unsatisfying--a deus ex machina that is relatively unexplained and unexplored. The book largely read as a few snippets plus a larger novella whose main purpose was jumping off into another, as of yet untold, story.

All that said, I'm sure there's many a reader that will enjoy this book. It's a "psionic sci fi" romp with tinges of Harry Harrison's Stainless Steel Rat and tinges of Babylon 5, where everything works out in the end.


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Issue 3 Pre-launch Buzz Contest

Issue 3 is an amazing creation, crammed full of stories and art, with poems, Flash fiction and an entertaining report to leaven the mix. Whether we're battling a mechanical daemon in "A Song, a Prayer, an Empty Space" or experiencing jealousy towards unusual rivals in "Soon You Will Be Gone and Possibly Eaten", we're following the theme of Mechanical Flight into strange and unexpected places (and at times flying further afield).

Here's the (self-referential) Pre-launch Buzz Contest: blog about the launch contest with a link back to this post--then leave a comment at this post with a link to your blog post.  You'll be entered to win A FULL SET OF GUD, HARDCOPY (Issues 0-3). If we don't receive at least 100 entries, we reserve the right not to award this prize, so BE SURE TO TELL YOUR FRIENDS!  You've got seven days to help spread the word (give or take -- through the end of Friday, Pacific Standard Time)

BONUS: First ten entries win a PDF of Issue 3!  And we'll spread a few more goodies around if response warrants it. :)

BONUS 2: Everyone creating an account gets a freebie from Issue 3 just for signing up (it'll be in your account, waiting).  Everyone who already had an account?  You've got a new freebie waiting for you, too.

What's in Issue 3?

 
SO SPREAD THE WORD! :D